German (Resident in Britain) 1734-1810 Johann Zoffany Galleries Painter of portraits, conversation pieces, and theatrical scenes, Zoffany was born in Germany and came to England about 1758 after studying in Italy. He began by painting clock faces and doing hack work, before turning to painting theatrical scenes, especially depicting David Garrick. He was favoured by the royal family. George III nominated him for the Royal Academy in 1769 and recommended him to the duke of Tuscany.  Related Paintings of Johann Zoffany :. | Portrait of female | Self-portrait as David with the head of Goliath | Queen Charlotte with her Two Eldest Sons | Queen Charlotte at her Dressing Table (mk25) | A View of the grounds of Hampton House with Mrs and Mrs Garrick taking tea |
Related Artists:
Kuhn Justus Engelhardt
German artist d.1717
Cornelis Claesz. van Wieringen
He was the son of a Haarlem captain, and drew, painted and etched with his friends Hendrick Goltzius and Cornelis van Haarlem. He also held important positions in the Haarlem Guild of St. Luke, the painters guild, where he became a member in 1597. He specialized in paintings depicting ships and sea battles, and received orders from the municipal councils of Haarlem and Amsterdam. He painted the most popular picture of the Damiate legend of Haarlem, showing how a Haarlem ship broke the protective chain at Damietta during the Fifth Crusade, resulting in an important victory over Islam. This painting was such a success that it was reordered in tapestry form, and both pieces are in the collection of the Frans Hals Museum. The city of Haarlem archives still hold the original records of the 1629 order to Van Wieringen to make the tapestry, the largest made in the 17th century (10.75 meters long and 2.40 meters high). This tapestry still hangs on the wall of the Haarlem City Hall council meeting room known as the vroedschapskamer, where it was installed. It is on public display once a year on Monument Day.
Frederick Walker,ARA,RWS
1840-1875 English painter and illustrator. He acquired his training in drawing and painting through study in the British Museum (where he copied heavily from the Antique), a short period spent in an architect's office, life classes at Leigh's school, a studentship at the Royal Academy and three years' employment as a draughtsman on wood with the commercial engraver Josiah Wood Whymper (1813-1903).